"Fascinating, compelling, and important, Beyond the Black and White TV demonstrates how government objectives were married with the goals of television productions to display migration, integration, and global imagination in order to control discourses of race and nation.This work reframes television history through the lens of variety shows by engaging with race from an industry perspective, informing readers how race factored into the production of genre and national identity."
~L.S. Kim, associate professor, Film and Digital Media, University of California, Santa Cruz
"Benjamin M. Han illuminates the secret history of the American variety show, deftly revealing the cosmopolitan roots of a familiar TV format. A major contribution to the cultural history of the Cold War."
~Christina Klein, author of Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema
"Beyond the Black and White TV makes a convincing and timely argument that the history of Asian and Latin American media representation is the history of anticommunism [and] serves as a warning to critically examine such media representation as more than merely evidence of America’s racial liberalism but also as an instrument for its political interests."
~Journal of Asian American Studies
"The Cold War has been studied by many, but this is the first book that does so by looking at how the “ethnic spectacle” helped the United States in winning the cultural Cold War."
~Journal of Popular Culture
"This book illustrates the process by which various races coexist to construct a state and how television programs are used to form national identity… Readers tired of examining the Cold War only in the context of international politics will enjoy understanding the conflict through various experiences of racial diversity and ambiguity."
