Newly available in paperback, Magical Realism and the History of the Emotions in Latin America is the first study of affect and emotion in magical realist literature. Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for wonder in a disenchanted world. Linking magical realism’s rise and fall to the shifting value of wonder as an emotional experience, Arellano proposes a radical new approach to canonical novels such as One Hundred Years of Solitude. Received as “one of the most convincing manifestations of the ‘turn to affect’ in contemporary Latin American critical thought,” this iconoclastic study draws on affect theory, the history of emotions, and new materialism to reframe key questions in Latin American literature and culture.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
“This is an excellent scholarly contribution that does not limit itself to regional contexts and instead traces transcultural and transnational connections in the study and reevaluation of the Latin American chronicle and magical realist narratives. . . . Essential.”---CHOICE
“La alta calidad teórica y la profundidad de las reflexiones, además de la acertada combinación de la historia de las emociones con los estudios de los afectos, hacen de este libro una aportación significante para los estudios culturales y una aplicación inteligente del estudio de los sentimientos a un ámbito interdisciplinario.”
[“The high theoretical quality and depth of the reflections, as well as the successful combination of the history of emotions with the study of affect, make this book a significant contribution to cultural studies and an intelligent application of the study of feelings to an interdisciplinary field.”]---Iberoamericana
“Magical Realism and the History of Emotions in Latin America is an erudite, thought-provoking, and intellectually-probing volume. Jerónimo Arellano succeeded in bringing to the fore the theory of affect to the cultural history of Latin America and, in doing so, shed new light on both canonical and less canonical works from different times. It is a contribution to Latin American studies meant to last.”---Revista de Estudios Hispánicos
“Arellano resoundingly proves that the experience of wonder is neither historically uniform nor an independent individual emotion. His work makes it clear that affect theory can be fruitfully brought to bear upon colonial and magical realist texts.”---Transmodernity
"This study sheds a novel light on an already extensively researched topic. The argument is daring, subtle and remains engaging throughout the book."---Forum for Modern Language Studies
“Arellano’s discussion on the history of the marvelous ordinary and the ordinary marvel in Latin American history and literature adds to the discussion about magical realism, its origins and its impact on the Americas. The innovative interdisciplinary approach . . . offers a significant contribution to the studies of affectivity in Latin American and cultural studies."---The Latin Americanist
"This book makes a valuable contribution to a crowded area of research by approaching magical realism through affect studies, the history of the emotions, and new materialist studies. Impeccably researched in all areas of expertise, Magical Realism and the History of the Emotions in Latin America is a sophisticated study that models the kinds of innovative readings that new emotions-based and object-oriented theories may facilitate in Latin American literary and cultural studies."
---Modern Language Quarterly
“Una de las más convincentes demostraciones de la productividad del llamdo 'giro afectivo' en el pensamiento crítico latinoamericano contemporáneo. Un acercamiento pionero a la maravilla en el marco de la cuestión del afecto y las emociones en la historia de América Latina.”
["One of the most convincing demonstrations of the productivity of the so-called 'affective turn' in contemporary Latin American critical thought. A pioneering approach to wonder in the context of the question of affect and emotions in the history of Latin America."]---Revista de crítica literaria latinoamericana
“A very well researched study . . . contributing to the current critical re-examination and re-assessment of magical realism.”---Bulletin of Latin American Research
"Magical Realism and the History of the Emotions in Latin America successfully directs the insights of the affective turn in the humanities towards magical realism and Latin America. This changes the game as far as our thinking about magical realism is concerned."
"Arellano’s brilliant study recasts the genealogy of the marvelous ordinary in Latin American literature. It provides a fresh, new look at a seemingly overanalyzed literary mode, Magical Realism, by contextualizing it with contemporary theories of affect, the cultural history of wonder, the sociality of emotions, as well as the changing structures of feeling and material practices. This book reveals a new history of wonder from the margins of the colonial/modern world-system, by revisiting the historical relationship—in both temporal and spatial terms—among magical realist narratives' expression of wonder and those of the early modern Wunderkammer (cabinet of wonder) and the chronicles of the New World."
"Jerónimo Arellano's refreshing study is a subtle, thoughtful, and stimulating reassessment of Latin American literary history. Using notions of both affectivity and emotion, Arellano sheds new light on the wonder discourse of the 'New World' and comprehensively punctures and problematizes the common assumption that modern Magical Realist writing is essentially rooted in traditional versions of such a discourse."
A Note on Translations vii List of Figures ix Acknowledgments xi Introduction xiii I: Wonder in the Colonial Heart 1 1. The Intermittence of the Marvelous 3 2. Columbus’s First Journal and the Materiality of the Emotions 37 3. Colonial Chronicles as Archives of Feelings 61 II: The Afterlives of Feelings 101 4. Alejo Carpentier’s lo real maravilloso americano and the Colonial History of Wonder 103 5. The Afterlives of Feelings: Wonder as Palimpsest in Gabriel García Márquez’s Cien años de soledad 137 6. In the Graveyards of Magical Realism: The Disaffection of the Marvelous and César Aira’s El mago 165 Bibliography 185 Index 203 About the Author 211
JERÓNIMO ARELLANO is an assistant professor of Latin American literature at Brandeis University in Waltham, Massachusetts.
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