The Novel Stage

“This interesting study explores the ways in which novels borrow from and develop theatrical conventions and forms during the eighteenth century. Examining a spectrum of practices, Frank explores the complex relationships between genre and form and offers new insights into the relationship between eighteenth-century theatre and literature.”

~Helen Brooks, author of Actresses, Gender and the Eighteenth-Century Stage: Playing Women

“The Novel Stage is an engaging and provocative text; its major insights about the key role of the repertory in eighteenth-century reading habits and the collaborations between theatre and fiction are bracing and of wide-ranging use.” 

~Manushug Powell, author of Performing Authorship in Eighteenth-Century English Periodicals

"An important and long-overdue consideration of the relationship between the theater and the novel in the long 18th century, The Novel Stage treats major Restoration and 18th-century dramatic forms—tragicomedy, comedy of manners, and melodrama—as they abandon the stage to take up residence in prose fiction. Essential."

~Choice

"Frank’s emphasis on generic and media fluidity and interrogation of fixed mindsets around them are, to use one of the words she unpacks in Burney’s novels, provocative; I can certainly see why The Novel Stage was named a 2020 Choice Outstanding Academic Title....Frank’s work is excellent at pointing towards new, interdisciplinary approaches to important discussions of genre and form."

~Tulsa Studies in Women’s Literature