Foreword by Andrew Bush, Deborah Dash Moore, and MacDonald Moore
Acknowledgments
Introduction
1 Terms of Debate
Finding a Name to Define a Horror
Laying the Foundation: The Visionary Role of Philip Friedman
Creating a Field of Study: Raul Hilberg
Survivors in America: An Uncomfortable Encounter
“Holocaust” in American Popular Culture, 1947–1962
2 State of the Question
The Eichmann Trial and the Arendt Debate
“Holocaust”: Shedding Light on America’s Shortcomings
A Post-Holocaust Protest Generation Creates Its Memories
The Baby Boom Protesters
From the Mideast to Moscow: Holocaust Redux?
Survivors: From DPs to Witnesses
Severed Alliances
The Holocaust and the Small Screen
America and the Holocaust: Playing the Blame Game
The White House: Whose Holocaust?
The Kremlin versus Wiesel: Identifying the Victims
3 In a New Key
Skewing the Numbers: Counting the Victims
An Obsession with the Holocaust? A Jewish Critique
The Bitburg Affair: The “Watergate of Symbolism”
Memory Booms as the World Forgets
Assaults on the Holocaust: Normalization, Denial, and Trivialization
The Uniqueness Battle
Impassioned Attacks
Competitive Genocides? The Holocaust versus All Others
Scaring the People: On How Not to Proceed
Notes
Index