Acknowledgments
Introduction: Historicizing and Internationalizing the “Baadasssss” or Imagining Cinematic Reparation
Part I“We Return Fighting”: The Integration of Hollywood and the Reconstruction of Black Representation
1 The Black Soldier and His Colonial Other
2 Resounding Blackness: Liveness and the Reprisal of Black Performance in Stormy Weather
3 Remembering the Men: Black Audience Propaganda and the Reconstruction of the Black Public Sphere
Part II“Fugitive Movements”: Black Resistance, Exile, and the Rise of Black Independent Cinema
4 Psychic Seditions: Black Interiority, Black Death, and the Mise-en-Scène of Resistance in Cold War Cinema
5 Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier
6 The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door
Conclusion: After Images
Notes
Selected Bibliography
Index