Multiculturalism, Postcoloniality, and Transnational Media

Acknowledgments ,   ,   ,   ,
Introduction ,   ,   ,   ,
  , Ella Shohat ,
,
  , Robert Stam ,
,
  , Fanon, Algeria, and the Cinema: The Politics of Identification ,
,   ,   ,   ,
  , Robert Stam ,
,
  , Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement ,
,   ,   ,   ,
  , Peter Bloom ,
,
  , Dances With Wolves ,
,   ,   ,   ,
  , Edward D. Castillo ,
,
  , Screen Memories and Entangled Technologies: Resignifying Indigenous Lives ,
,   ,   ,   ,
  , Faye Ginsburg ,
,
  , ``Train of Shadows'': Early Cinema and Modernity in Latin America ,
,   ,   ,   ,
  , Ana M. Lopez ,
,
  , Oedipus Tex/Oedipus Mex: Triangulations of Paternity, Race, and Nation in John Sayles's Lone Star ,
,   ,   ,   ,
  , Julianne Burton-Carvajal ,
,
  , Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala ,
,   ,   ,   ,
  , Binita Mehta ,
,
  , Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media ,
,   ,   ,   ,
  , Brian Larkin ,
,
  , The ``I'' Narrator in Black Diaspora Documentary ,
,   ,   ,   ,
  , Manthia Diawara ,
,
  , Phobic Spaces and Liminal Panics: Independent Transnational Film Genre ,
,   ,   ,   ,
  , Hamid Naficy ,
,
  , ``My Name is Forrest, Forrest Gump'': Whiteness Studies and the Paradox of Particularity ,
,   ,   ,   ,
  , Robyn Wiegman ,
,
  , Warrior Marks: Global Womanism's Neo-Colonial Discourse in a Multicultural Context ,
,   ,   ,   ,
  , Inderpal Grewal ,
,
  , Caren Kaplan ,
,
  , Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies ,
,   ,   ,   ,
  , Talitha Espiritu ,
,
  , The Appended Subject: Race and Identity as Digital Assemblage ,
,   ,   ,   ,
  , Jennifer Gonzalez ,
,
Contributors ,   ,   ,   ,
Index ,   ,   ,