Making Ideas Visible in the Eighteenth Century

List of Illustrations
Acknowledgments
Introduction: The Potential Visibility of Ideas in Enlightenment Art and Aesthetics
Jennifer Milam (University of Newcastle) and Nicola Parsons (University of Sydney)

Chapter 1: A Good Address: Living at the Louvre in the Eighteenth Century
David Maskill (Victoria University of Wellington)
Chapter 2: Inventing Artifice: François Boucher’s Collection at the Louvre
Jessica Priebe (University of Sydney)
Chapter 3: Continental Porcelain Made in England: The Case of the Chelsea Porcelain Factory
Matthew Martin (University of Melbourne)
Chapter 4: Planting Cosmopolitan Ideals: Thomas Jefferson’s Poplar Forest
Jennifer Milam (University of Newcastle)
Chapter 5: Growing Old in Public in Eighteenth-Century France: Marie-Thérese Geoffrin and Marie Leszczynska
Jessica L. Fripp (Texas Christian University)
Chapter 6: French Funeral Monuments of the Ancien Régime as Products of Individual Artistic Solutions
Wiebke Windorf (University of Düsseldorf)
Chapter 7: Meeting the Locals: Mythical Images of the Indigenous Other in the Eighteenth and Nineteenth Centuries
Melanie Cooper (University of Adelaide)
Chapter 8: Infernal Machines: Designing the Bomb Vessel as Transnational Technology
Jennifer Ferng (University of Sydney)

Notes on the Contributors
Index