"This book brilliantly argues for theater as a rich archive for understanding both the mixed-Asian experience and historical perceptions of multiraciality across the late nineteenth to early twenty-first century in the United States. Through cogent script analysis and fascinating biographical work on several under researched hapa playwrights, Heinrich insists on a consideration of the mixed-race experience as fundamentally distinct from representations of monoraciality. As such, mixed race theory has the potential to critique some of the monoracial presumptions of our prevailing discourse on race."
~SanSan Kwan, author of Love Dances: Loss and Mourning in Intercultural Collaboration
“Heinrich is brilliant, and her subject is fascinating. I loved every one of these chapters and found each one challenging in different and surprising ways. Race and Role seems destined to take its place in the canon of Asian American cultural studies.”
~Paul Spickard, author of Almost All Aliens: Immigration, Race, and Colonialism in American History and Identity
